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    The Fall -2008-

    Roger Ebert proclaimed it `one of the most extraordinary films I`ve ever seen,` and there`s no denying the avalanche of wild images in The Fall: grand castles, desert vistas, elephants swimming in the open ocean. Commercial and music-video director Tarsem has piled these visions into an elaborate remake of an obscure Bulgarian film, Yo Ho Ho, which is anchored in (but by no means limited to) a quiet hospital during the silent-movie era. A stuntman (Lee Pace) is laid up with leg injuries, and an eye-popping black-and-white prologue (utterly mystifying while we`re watching it) tells us how he got here. Depressed over his disability and a recent lost love, he plans suicide, but is temporarily derailed by the inquisitive friendship of a little girl (Catinca Untaru), to whom he tells wild stories of adventurers and princesses. We see these stories, which is where the dizzying visuals come in. This movie probably won`t inspire many lukewarm responses: either you`ll fall madly for this paean to storytelling magic, or you`ll be suspicious about the parade of pretty pictures, which tend to have a magazine-layout sheen. The movie certainly has more soul than Tarsem`s yucky previous feature, The Cell, and the scenes between Pace and Untaru (who scores an 11 on the cuteness scale) are genuinely charming. The director actually put a considerable amount of his own money into the production (which shot in over 20 countries), and whether you buy his vision or not, he put his money on the screen. --Robert Horton
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